Keyword Index

A

  • Abla Fahita Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]

B

  • Betrayal Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
  • Brian Friel An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]

D

  • Decolonial “Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
  • Diegesis Narrating Tarell Alvin McCraney's The Brother/ Sister Plays [Volume 1, Issue 1, 2019, Pages 180-199]
  • Displacement “Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
  • Drama Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun [Volume 1, Issue 1, 2019, Pages 48-63]

E

  • Edwidge Danticat Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]
  • Emma Donoghue An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]

F

  • Far Right “Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
  • FDT Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis [Volume 1, Issue 1, 2019, Pages 344-356]
  • Feminist Critical Discourse analysis Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
  • Femi Osofisan Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
  • Films for young adults Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun [Volume 1, Issue 1, 2019, Pages 48-63]
  • Folktales Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
  • Frame narrative technique Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]

H

  • Haiti Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]
  • Healing Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]
  • Henri Bergson An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
  • Henri Lefebvre An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
  • Holy Qur’an Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study [Volume 1, Issue 1, 2019, Pages 385-405]

I

  • Impoliteness Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]
  • Incarceration experience Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
  • Intercultural Understanding Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]
  • Irish drama An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
  • Islamic Tradition Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]

J

  • JIHAD Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study [Volume 1, Issue 1, 2019, Pages 385-405]
  • Jihād Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]

L

  • Lexical Variation Lexical Variation in Arabic Phraseological Units Calqued from English: An Explanatory Approach [Volume 1, Issue 1, 2019, Pages 275-300]

M

  • Michel Tremblay An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
  • Mock Impoliteness Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]
  • Modern Standard Arabic Lexical Variation in Arabic Phraseological Units Calqued from English: An Explanatory Approach [Volume 1, Issue 1, 2019, Pages 275-300]

N

  • Narrative “Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
  • Narrative theory Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]
  • Narrative therapy Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
  • Narratology Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun [Volume 1, Issue 1, 2019, Pages 48-63]
  • Narratology Narrating Tarell Alvin McCraney's The Brother/ Sister Plays [Volume 1, Issue 1, 2019, Pages 180-199]
  • Nationalist “Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
  • NRTA Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis [Volume 1, Issue 1, 2019, Pages 344-356]

P

  • Postmodern Drama Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
  • Postmodern Picturebooks Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]

S

  • Salah Abdul-Sabur Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
  • Semantic frame Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study [Volume 1, Issue 1, 2019, Pages 385-405]
  • Sexism Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
  • Sherry Argov Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
  • Sociolinguistics A Sociolinguistic Study of Religious-Based Proverbs in Al-Bahah Province [Volume 1, Issue 1, 2019, Pages 357-384]
  • Surrealist Visuals Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]

T

  • Theatre of the absurd An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
  • Theory of space An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
  • Thought presentation Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis [Volume 1, Issue 1, 2019, Pages 344-356]
  • Trauma Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
  • Trauma Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]

U

  • Underpoliteness Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]

V

  • Visual Criticism Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]
  • Visual Ecology Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]
  • Visual Semiotics Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]

W

  • Women Narrative Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]