A
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Abla Fahita
Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]
B
-
Betrayal
Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
-
Brian Friel
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
D
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Decolonial
“Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
-
Diegesis
Narrating Tarell Alvin McCraney's The Brother/ Sister Plays [Volume 1, Issue 1, 2019, Pages 180-199]
-
Displacement
“Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
-
Drama
Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun [Volume 1, Issue 1, 2019, Pages 48-63]
E
-
Edwidge Danticat
Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]
-
Emma Donoghue
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
F
-
Far Right
“Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
-
FDT
Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis [Volume 1, Issue 1, 2019, Pages 344-356]
-
Feminist Critical Discourse analysis
Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
-
Femi Osofisan
Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
-
Films for young adults
Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun [Volume 1, Issue 1, 2019, Pages 48-63]
-
Folktales
Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
-
Frame narrative technique
Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
H
-
Haiti
Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]
-
Healing
Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]
-
Henri Bergson
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
-
Henri Lefebvre
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
-
Holy Qur’an
Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study [Volume 1, Issue 1, 2019, Pages 385-405]
I
-
Impoliteness
Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]
-
Incarceration experience
Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
-
Intercultural Understanding
Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]
-
Irish drama
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
-
Islamic Tradition
Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]
J
-
JIHAD
Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study [Volume 1, Issue 1, 2019, Pages 385-405]
-
Jihād
Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]
L
-
Lexical Variation
Lexical Variation in Arabic Phraseological Units Calqued from English: An Explanatory Approach [Volume 1, Issue 1, 2019, Pages 275-300]
M
-
Michel Tremblay
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
-
Mock Impoliteness
Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]
-
Modern Standard Arabic
Lexical Variation in Arabic Phraseological Units Calqued from English: An Explanatory Approach [Volume 1, Issue 1, 2019, Pages 275-300]
N
-
Narrative
“Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
-
Narrative theory
Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]
-
Narrative therapy
Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
-
Narratology
Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun [Volume 1, Issue 1, 2019, Pages 48-63]
-
Narratology
Narrating Tarell Alvin McCraney's The Brother/ Sister Plays [Volume 1, Issue 1, 2019, Pages 180-199]
-
Nationalist
“Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
-
NRTA
Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis [Volume 1, Issue 1, 2019, Pages 344-356]
P
-
Postmodern Drama
Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
-
Postmodern Picturebooks
Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]
S
-
Salah Abdul-Sabur
Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
-
Semantic frame
Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study [Volume 1, Issue 1, 2019, Pages 385-405]
-
Sexism
Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
-
Sherry Argov
Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
-
Sociolinguistics
A Sociolinguistic Study of Religious-Based Proverbs in Al-Bahah Province [Volume 1, Issue 1, 2019, Pages 357-384]
-
Surrealist Visuals
Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]
T
-
Theatre of the absurd
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
-
Theory of space
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
-
Thought presentation
Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis [Volume 1, Issue 1, 2019, Pages 344-356]
-
Trauma
Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
-
Trauma
Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]
U
-
Underpoliteness
Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]
V
-
Visual Criticism
Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]
-
Visual Ecology
Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]
-
Visual Semiotics
Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]
W
-
Women Narrative
Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
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